As an interdisciplinary artist, my work examines the ways humans intervene in and disrupt ecosystems across North America, with particular focus on the hunting industry in the United States. I am interested in how marginalized groups, such as queer individuals, challenge and reshape heteronormative, white male-dominated spaces. Drawing on my own experiences within the hunting community and my queer identity, I aim to amplify the visibility of the “queer hunter,” exploring how these pockets of community create space for underrepresented voices. My practice seeks to elevate and honor this specific intersection of identity and environment.

At the same time, my work investigates the intersections of rural identity and queerness, exploring how these elements coexist, conflict, and shape a sense of self and place. Growing up on a rural farm in Texas, I engage with materials and techniques tied to agrarian life—leatherworking, taxidermy, and woodworking—as both medium and metaphor. Through these materials, I question traditional notions of rural craftsmanship and its relationship to identity, memory, and survival.

My installations often weave personal narratives with broader historical and cultural contexts, creating dialogues between past and present, folklore and hidden histories, and contemporary concerns. By doing so, I encourage viewers to reconsider preconceived notions of rural life, queerness, and the tensions that emerge at their intersection, highlighting how identity, place, and practice are deeply intertwined.